ピアニスト ランキング 日本 人 Ryota Yamazaki At 15 Playing Chopin’s
📊 TikTokメディア詳細・統計データ
| 動画タイトル / キャプション: | Ryota Yamazaki at 15 playing Chopin’s Étude Op. 10, No. 1 in C Major. Remember the name. At 15, he won the Grand Prize and Audience Prize of Japan’s PTNA Competition; the youngest winner ever. He is now 26 and last year he got 3rd Prize at the Busoni Competition. I discovered him a few weeks ago; his silky smooth playing, phrasing, sense of rhythm and musicality impressed me. Have a look at his Ravel Toccata played when he was 12: an incredible performance. Chopin’s first étude – composed when he was 19 – has often been compared to Bach’s first prelude, also in C Major: it is a sort of modernized version but both rely on a series of ceaseless arpeggios and a constant rhythm to be maintained throughout. Regarding this étude, here is Chopin’s advice to one of his pupils, F. Müller-Streicher: « You shall benefit from this Étude. If you learn it according to my instructions, it will expand your hand and enable you to perform arpeggios like strokes of the violin bow. Unfortunately, instead of teaching, it frequently un-teaches everything. » Similar figurations designed for the expansion and contraction of the right hand could already be found in études written before Chopin’s: for instance in Cramer’s D major and minor études from 1815 and in Moscheles’ Étude Op. 70, out No. 11 from 1827. But Chopin’s novelty resides in the breadth of the right-hand arpeggios, in semiquavers at that, giving the impression of waves crashing… As a great Chopin admirer, Debussy would use the same device with the same effects for the left hand in his Toccata from Pour le piano (1892), his pianistic manifesto aiming for clarity. The revolutionary aspect of Chopin’s études lies in the perfect mix of melodic genius and technical challenge. Chopin transformed the technique of art for practice rooms into the art of technique for concert halls. #chopin #fredericchopin #ryotayamazaki #Japan #etude #practice #fyp #foryoupage #pianotok #explore #piano #pianotime #pianist #pianista #pianolover #classicalmusic #classical #pianomusic #musician #musicaclassica #pianolove #pianogram #musiclover #music #musica #pianocover #пианино #ピアノ #피아노 #钢琴 |
| TikTokクリエイター: | @thepianism |
| 使用音源名: | original sound - thepianism |
| 総再生回数: | 38,613 次回再生 |
| いいね数: | 1,543 |
| シェア数: | 98 回シェア |
🎵 動画詳細・概要
TikTokで話題の ピアニスト ランキング 日本 人 を紹介します。クリエイター @thepianism (The Pianism) によって投稿されました。現在までに 38,613 回再生、1,543 いいね、および 98 シェア を獲得しています。
ピアニスト ランキング 日本 人 に関する視聴者やコミュニティの反響・関連投稿まとめ: 投稿者 @thebestpiaanoplayer: “Nobuyuki Tsujii , Japanese pianist and composer. He was born blind due to microphthalmia. 🥹❣️ 🎶Enjoy his stunning performance of...”. クリエイター @djlyrastar: “one of the best japanese piano player - Ryuichi Sakamoto”. 投稿者 @songs80s3: “平成世代なら絶対知ってる名曲”.
さらに、ピアニスト ランキング 日本 人 に関連する追加の投稿情報: ユーザー @pianojpmusic: “🤣静寂のホールに響く痛恨のミスタッチ…その後の展開が神すぎた🎹🔥”. ユーザー @negai_kanau_kaiun: “7本指のピアニスト(西川悟平)。襲ってきた泥棒2人を日本人の神の心で救った実話”. クリエイター @songs80s3: “永遠に色褪せない酒井法子の名曲集”.
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クリエイター @thepianism の動画説明文: "Ryota Yamazaki at 15 playing Chopin’s Étude Op. 10, No. 1 in C Major. Remember the name. At 15, he won the Grand Prize and Audience Prize of Japan’s PTNA Competition; the youngest winner ever. He is now 26 and last year he got 3rd Prize at the Busoni Competition. I discovered him a few weeks ago; his silky smooth playing, phrasing, sense of rhythm and musicality impressed me. Have a look at his Ravel Toccata played when he was 12: an incredible performance. Chopin’s first étude – composed when he was 19 – has often been compared to Bach’s first prelude, also in C Major: it is a sort of modernized version but both rely on a series of ceaseless arpeggios and a constant rhythm to be maintained throughout. Regarding this étude, here is Chopin’s advice to one of his pupils, F. Müller-Streicher: « You shall benefit from this Étude. If you learn it according to my instructions, it will expand your hand and enable you to perform arpeggios like strokes of the violin bow. Unfortunately, instead of teaching, it frequently un-teaches everything. » Similar figurations designed for the expansion and contraction of the right hand could already be found in études written before Chopin’s: for instance in Cramer’s D major and minor études from 1815 and in Moscheles’ Étude Op. 70, out No. 11 from 1827. But Chopin’s novelty resides in the breadth of the right-hand arpeggios, in semiquavers at that, giving the impression of waves crashing… As a great Chopin admirer, Debussy would use the same device with the same effects for the left hand in his Toccata from Pour le piano (1892), his pianistic manifesto aiming for clarity. The revolutionary aspect of Chopin’s études lies in the perfect mix of melodic genius and technical challenge. Chopin transformed the technique of art for practice rooms into the art of technique for concert halls."。話題のキーワード ピアニスト ランキング 日本 人 に関連しています。
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